posted on 30.07.11

Sigur Rós improvise a song on a stone marimba in the Surtshellir caves in western Iceland.  They made the marimba themselves from stones collected there.  From Heima.

It just so happens that we (fellow ahogados and I) were hiking through those caves not a month ago.  It all seems warm and cozy in there from this video.  Sweaters and smiles by the fireside. However, we had the opposite sensation — that it was haunted.  Pitch, pitch black, three lanterns could barely light our immediate surroundings, and the cave floor was a deadly combination of slippery ice and jagged rocks.  Full of strange noises and uneasy silences, and even cliffs overhead, it was definitely ruled by either unfriendly trolls or a clan of ice-loving ghouls.  This video for me is a testament to how a bit of beautiful music (ok, and some torches) sends the darkness running, and can transform even a ghoul lair into a cheerful, welcoming refuge.


posted on 27.09.10
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Japanese Sun

Mogwai - The Sun Smells Too Loud

So indeed it may but not at night and not today.

posted on 23.07.10

Un Concert A Emporter / A Take Away Show

You may know about this already but go here now and watch these amazing videos. There are over a hundred! The site is in French so that makes things a little difficult for some of us to know for sure what is actually happening.  But one thing is clear, these francophones manage by some sort of noir magic to trick these poor famous musicians into doing personal shows in interesting locations around the world.  Sufjan Stevens on a roof in Cincinnati?  Phoenix on the top deck of a tourist bus roaming around Paris? Sigur Rós, Menomena, Wilco?!

The real charm about all these shows results from the nature of the performances — so intimate and informal the musicians can’t help but reveal something personal that you wouldn’t see at a big concert or music video or even in an interview.  As for this video above, I was never too impressed by Lykke Li but she totally won me over with her kazoo necklace and adorable dancing.

Then there is the enchanting Annie Clark of St. Vincent.  Skip to 1:11. Wishing my name was John.


#67.2 - St Vincent - Marry Me
Uploaded by lablogotheque.

And just to tip the hormone scales back to level, here are some plaid-clad, bearded men:

Fleet Foxes - A Take Away Show from La Blogotheque on Vimeo.


posted on 29.04.10
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iceland

julianaeveryday:

Jónsi - Time To Pretend (MGMT cover)

posted on 25.04.10 Wind and Rain

Constable Mill

There were two sisters of county Clare,
  Oh, the wind and rain
One was dark and the other was fair,
  Oh, the dreadful wind and rain
And they both had a love of the miller’s son,
  Oh, the wind and rain
But he was fond of the fairer one,
  Oh, the dreadful wind and rain
So she pushed her into the river to drown,
  Oh, the wind and rain
And watched her as she floated down,
  Oh, the dreadful wind and rain
And she floated till she came to the millers pond,
  Oh, the wind and the rain
Dead on the water like a golden swan,
  Oh, the dreadful wind and rain
As she came to rest on the riverside,
  Oh, the wind and the rain
And her bones were washed by the rolling tide
  Oh, the dreadful wind and rain
And along the road came a fiddler fair
  Oh, the wind and rain
And found her bones just a lying there, cried
  Oh, the dreadful wind and rain
So he made a fiddle peg of her long finger bone
  Oh, the wind and the rain
He a made a fiddle peg of her long finger bone, crying
  Oh, the dreadful wind and rain
And he strung his fiddle bow with her long yeller hair
  Oh, the wind and the rain
He strung his fiddle bow with her long yeller hair, cried
  Oh, the dreadful wind and rain
And he made a fiddle fiddle of her breast bone
  Oh, the wind and rain
He made a fiddle fiddle of her breast bone, cried
  Oh, the dreadful wind and rain
But the only tune that the fiddle could play was
  Oh, the wind and rain
The only tune that the fiddle would play was
  Oh, the dreadful wind and rain.
————————————————-

This is a nice version.  Crooked Still’s is more lovely but a slightly different story, and couldn’t find to post here. 

posted on 10.04.10

Take Time - The Books

Tutto è santo
Tutto è santo
Tutto è santo

That which is now,
and that which is to be hath already been.
There is no rememberance of former things.

Ecclesiastes?

This has been a favorite for a while.  What’s not to love really? Keeping our human weirdness light and whimsical. At 2:31, it all comes together.


posted on 23.03.10
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Fang Island

Fang Island - Daisy

Where, oh where, did this come from? Music that, in the context of the recent weather, sounds like the intense arena-rock tribute to the homecoming of Springtime, complete with elephants, banners, and “everyone high-fiving everyone.”  These Brooklyn boys just released their self-titled debut album at the end of February.

posted on 04.01.10

David Brent - Free Love On The Freelove Freeway

‘Spaceman’ and ‘Freelove’ written and sung by Philanthropist, Philosopher and Comedian David Brent - simply, a man who put a smile on the face of all who he met.

Who knows if it still is possible for fans of the American TV show “The Office” to exist out there who still don’t know its origin.  One would hope not. But if it is possible, let it be known that the original British version is (subjectively) far better, and (objectively) more subtle, uncomfortable, and brilliantly tragicomic.  Just because you may laugh out loud more at the American Office doesn’t necessarily make it better/funnier.  Then again maybe it does, if that’s your style.

To clarify — Yes, Steve Carell is great, and his character Michael is a pathetic boss who we can empathize and laugh with.  The laughter feels great; we can join right in.  It diffuses the situation and makes it lighter (as laughter should) and everyone goes away happy.  “The Office is sooooo funny!” you say.  But in the British version, the lamentable  David (the boss) as played by Ricky Gervais takes humor to a point where laughter becomes almost difficult.  We know we are watching something funny and genius, and we wish we could laugh so easily, but somehow laughter doesn’t feel like the right immediate response.  Humor where laughter isn’t the correct response?!   “Dry humor” you may say is the term for all of this.  But that doesn’t get all the way down to it.  It covers sarcasm and irony well enough, and even some darker wit, but doesn’t include an element that is important here.  Pity is closer to the correct response, and laughter conflicts with pity.  His character is at times so sad to the point of being reproachable that if we laugh we may feel like we condone his behavior.  Or, we ourselves feel embarrassed just by watching, so we have to laugh at that, which can be frustrating if not unpleasant. This is what turns many away from the show; having that strange knot in your gut from not knowing what it is you are laughing at.  This is also what makes the show as amazing as it is, because that feeling becomes addicting.  And you do laugh despite it, or because of it.  That becomes the humor, and it ends with David putting a smile on your face that feels remarkably deserved. Must stop here, but it brilliantly shows how very deep humor is indeed.

The song above is an example of one of the lighter moments in the show, and even that isn’t without its awkward pauses and stiffness.

Watch more below:

posted on 25.12.09

A newborn King to see, pa-rummmmmmmmpapumpum

posted on 03.11.09

This is pretty great, and well done.  Try to guess the song before halfway through the video… (via languagelog)

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